Dialed In – Bobby Previte vs Benton C Bainbridge

Bobby Previte’s maverick and electrifying drum style has won him accolades and respect from the rock and jazz world, including a Guggenheim Award.. Along with visual performer Benton C Bainbridge, the duo created an improvised audiovisual experience. Dialed In played venues such as Lincoln Center and Troy, New York’s Experimental Media Performing Arts Center. Previte triggered every sound live- without loops, laptops nor overdubbing. Bainbridge painted with light that spilled off the screen and onto the performers. Using obsolete and forgotten technology scavenged from the tech dump, Bainbridge warped video into strange shapes not seen since Electric Company, while Previte whipped sonic fragments into powerful songs.

The performance at Supersonic 2009 was presented in collaboration with Birmingham Jazz & Supersonic Festival and was the duo’s only UK date.

Previte’s records often sound like soundtracks to an imaginary movie, with a multiplicity of characters, an enigmatic story line, and no particular axe to grind.” — The Penguin Guide

Fantastic video images by Benton-C Bainbridge depicted suspended human figures, floating abstract patterns, looming godlike figures and flickering city buildings.” — NY Times

Birmingham Jazz is a promoting organization and development agency which presents and commissions around 100 contemporary jazz in the city on a year-round basis.

 

from EMPAC’s CUSTOM CONTROL:

EMPAC in conjunction with the Arts Department at Rensselaer and the the iEAR Presents! series present Custom Control, an evening of three performances where artists have built their own personal audio and video performance tools.

The artist duos hail from San Francisco, Mexico City, and New York and include Sue Costabile + Laetitia Sonami, Luke Dubois + Manrico Montero, and Benton Bainbridge + Bobby Previte. In the 1970’s, in tandem with pioneering organizations like the Experimental Television Center in New York, artists began developing electronics for their live and installation-based video art. In this tradition, the artists in Custom Control all have personally crafted some aspect of their hardware or software for their performance tools.

The first performance, I.C.You, is a live film by Sue Costabile and Laetitia Sonami, Based on a script by poet Tom Sleigh, I.C.You follows the road-based travels of a truck driver delivering ice for the Universe Company. His job is to keep America cold. Sonami and Costabile open windows into his existence through a suitcase-sized foley stage, photographs, drawings, videos, shadow theater, and miniature lighting rigs.

By way of a specifically programmed Max/Jitter patch, guitarist Manrico Montero AKA Karras and video artist R. Luke Dubois create an improvised collaboration of sound and video entitled Night Breeze. Montero’s washes of layered guitar interact with DuBois’ live-camera-based imagery to create experience that translates the rich sonic language of Montero’s playing into a cinematic event.

The meeting of two mad scientists, composer Bobby Previte and video artist Benton C Bainbridge, inspired the performance Dialed In. Dialed In is a true dialog between sight and sound — a live audiovisual performance and a collection of music movies. Previte’s music is an ambitious live solo electronic drum work — 14 movements will be performed in real time, with no loops, no laptops, and no overdubbing. Bainbridge responds by freely grabbing from personal archives of video obscura, altering them beyond recognition, then recomposing them in a real-time process much like Previte’s kit-triggered music. Each using obsolete and forgotten technology scavenged from the tech dump, Bainbridge warps video into strange shapes while Previte elevates raw sound into listenable music.

Please note Custom Control is just one event in an initiative by the Electronic Arts Department titled TOOLS – Analogs and Intersections. This 2007 – 2008 series of events will include workshops, lectures, an exhibition and publications, focusing on artists who develop their own electronic and /or digital tools for video and audio in performance.

CURATOR: KATHLEEN FORDE

selected screenings
Millennium Film Workshop
Dallas Video Festival
New Genre Festival
“Screen Compositions” at Experimental Intermedia
Neutral Ground
Visual Music Marathon SVA-NYC/Boston Cyberarts Festival
Reconsidering Iraq

selected performances
New York Video Festival at Lincoln Center
EMPAC
Eyebeam
LMCC Swing Space
Issue Project Room
Harvestworks
Supersonic Festival/Birmingham Jazz